I’m quite sure I spotted you in a video at SFU (recognize your voice and your ideas!): https://youtu.be/GGuBz63snLU?t=2733 (45:35). It’s a nice talk on the integration of connectionists and symbolic ideas w/ virtual machines, something I’m quite interested and my PhD advisor did some really nice work on in this area.
This evening, I will give a brief talk to a humanist group on discontinuities. “Discontinuities” is the title of my upcoming book, and the title of one of its chapters. The talk will be followed by a discussion.
Samedi le 18 mai, nous célébrerons le printemps (cette verdeur qui nous entoure!) et l’art, dans toutes ses formes. Le jour, nous serons imprésario (ou au moins hôtes) d’un événement musical français. Le soir, on ira à un spectacle musical du Vancouver Symphony Orchestra: Mozart, Morlock et autres.
I tweeted the poem below today, minus “‘s”. I’d draw a cartoon to go with this, one to do with a teapot. However, although I quite enjoyed Crystal Pite’s recent Revisor, I don’t want to risk needing to issue a retraction, as even professional cartoonists have had to on this subject. So, I will leave it up to your imagination. As for the poem, there are a couple of clues in the tags.
“Betroffenheit” is a German emotion word. Max Wyman compared it to being gobsmacked. I might add nonplussed. But English and French words only capture part of the meaning of betroffenheit.Crystal Pite, a brilliant Canadian choreographer (Kidd Pivot productions), created an entire dance show that translates betroffenheit in several of the brain’s (verbal and non-verbal) languages. Since seeing this very powerful show a couple of weeks ago, it has frequently come to my mind (a light perturbance); and I’ve discussed it with many people. I had been resisting the urge to blog about it, for lack of time. But reading Brett Terpstra’s blog post, “How’s it going?”, about the grief he is experiencing from losing his dog, Emma, led me to reply to his post with the following. Continue reading Betroffenheit: The Show and the Emotions