Yesterday, Drs. Sylwia Hyniewska, Eva Hudlicka and I submitted a paper for the AISB-2017 Symposium on Computational Modelling of Emotion: Theory and Applications. The title of our paper is “Perturbance: Unifying research on emotion, intrusive mentation and other psychological phenomena with AI”. Continue reading Perturbance: Understanding Why Robots Will Have High-Order Emotions Matters to Psychology
I’ve begun to offer a pair of workshops on emotion that focus primarily on romantic love, technically known as “limerence”. The first workshop is designed primarily to enhance participants’ understanding of their emotions, whereas the second is focused on “relating to” their emotions. This post is about the first workshop.
Why Understand Limerence (Romantic Love)?
So what does limerence have to do with cognitive productivity? As I argued at length in Cognitive Productivity, to learn effectively we must not merely develop dry, cognitive mechanisms and representations (the substrate of memory, skills, etc.). Otherwise, we will at most develop an “inert” storehouse of knowledge, as Alfred Whitehead put it. We must rather change ourselves affectively: develop inclinations, feelings, desires and tendencies to apply what we’ve learned. To this end, it helps to understand emotions.
Furthemore, emotions generally, and limerence in particular, can directly promote productivity and creativity. (Beethoven’s may have been fueled by his unrequited love. There are countless similar examples. Compare the reference to The Mating Mind below.) Emotions can also, of course, destroy our ability to focus.
CogZest is for and about beautiful, passionate minds. So, it’s natural for me to respond to The Imitation Game.
The film received mixed reviews. Many of those knowledgeable about Turing and the Enigma project were disappointed by the film’s lack of fidelity, particularly given how fascinating these subjects are in reality. I did not expect to see a documentary, nor something outside Hollywood’s style, so I wasn’t disappointed. I’ve used the divertissement’s themes as a cognitive springboard rather than a trampoline to which I frequently return for inspiration, let alone for factual information.
It being Valentine’s day (and given that I am nursing an R&D project dealing with romantic love), it seems appropriate to launch into the theme of intellectual loneliness, companionship and romantic love, to which The Imitation Game alluded.
This epistolary essay was written in 2014 (with some later updates) as a response to Lam Wong’s 21 Elements: Relation, Perception and Meaning painting exhibition of Sept. 2014 in New Westminster. I blogged about the exhibition prior to writing this essay.
In 2014, Lam Wong’s 21 Elements: Relation, Perception and Meaning book was published. That book contains photos of all the paintings in his exhibition. A chapter of 21 Elements, written by Lam, which includes pictures of several of the paintings from his book, are available in this PDF.
Photos of the paintings from 21 Elements are available on Lam’s website.
A version of the essay below appears in the second edition of 21 Elements, published in 2022. That’s a limited edition print.
A version of the essay below, interleaved with photos of the paintings, will appear in Discontinuities: Love, Art, Mind. The letter reflects many of the themes of Discontinuities, including, of course, affective epistolary communication.
- Attentively developing expertise through time
- N-ary relations in art and meta machinery
- Perception: The construction of conjectures
- Rational faith and love in the dark
- Language of cognitive-affective mind
- Perturbance: Loss of control of mental processing of motivators
- Attachment, acceptance, love and happiness
- Universality of affect
- Using visual art to improve ourselves
- Consciousness, the great integrator (or integration)
- To the tune of Kevin Shield’s Goodbye
Meta-painting & Science of the Human Mind: An Epistolary Response to Lam Wong’s 21 Elements
Shadows of shadows passing. It is now 1831, and as always I am absorbed with a delicate thought. It is how poetry has indefinite sensations, to which end music is an essential. Since the comprehension of sweet sound is our most indefinite conception, music, when combined with a pleasurable idea, is poetry. Music without the idea is simply music. Without music or an intriguing idea, colour becomes pallor, man becomes carcass, home becomes catacomb, and the dead are but for a moment motionless. Edgar Allan Poe
I had the pleasure of attending, on several occasions, Lam Wong’s 21 Elements: Relation, Perception and Meaning exhibition and of discussing his art with him. As a result, I am moved to share my reflections with you.